Koyaanisqatsi (1982)
I came to this film thru a Christoper Nolan mention in one YouTube clip, that it is one of his favorite films. I was expecting this to be some kind of documentary about the environment after early searches. However it doesn't quite fit the documentaries of National Geographic or Discovery. It's also not a straightforward movie. There isn't any dialogue. Or any direct linear story. It leans more into being an art film or an experimental movie.
The landscapes are beautiful. Coupled with an epic film score, one can see and hear the influence this has had on Nolan. It reminds me of Interstellar. The sound also brings me back memories of when Muse released their album, Black Holes and Revelations. There is something incredibly recognizable in the patterns of the silent repetitions, crawling arpeggios, and massive soundscapes.
Though the film seems simple, it is hard to distill. Reading reviews after watching it, there doesn't seem to be one general consensus. Aside from the director saying years later, "It is meant to offer an experience, rather an idea." People eventually derive their own meaning from it. (Inception?). Nevertheless, every frame of nature: mountains, sand dunes and forests, and man's monotonous touch: long domestic lines, tall gray buildings or the blurring movement of traffic lights are all spectacular.
The landscapes are beautiful. Coupled with an epic film score, one can see and hear the influence this has had on Nolan. It reminds me of Interstellar. The sound also brings me back memories of when Muse released their album, Black Holes and Revelations. There is something incredibly recognizable in the patterns of the silent repetitions, crawling arpeggios, and massive soundscapes.
Though the film seems simple, it is hard to distill. Reading reviews after watching it, there doesn't seem to be one general consensus. Aside from the director saying years later, "It is meant to offer an experience, rather an idea." People eventually derive their own meaning from it. (Inception?). Nevertheless, every frame of nature: mountains, sand dunes and forests, and man's monotonous touch: long domestic lines, tall gray buildings or the blurring movement of traffic lights are all spectacular.
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